I’m getting a little bored with these squares, so I’m just going to get them done with as little fuss as possible. And I decided to experiment with a vertical line. From Kathe Todd-Hooker’s book Line in Tapestry, I found the vertical line section using soumak (page 46). Now, I have used soumak for ages, but usually as a base to start a piece and as a device to help hold the weft in place when it is cut off the loom. Also, since I am basically a rug weaver, I have not wanted areas of high texture, which might wear—probably not a problem since no one puts them on the floor anyway!

Below is a picture of the way I usually join a section with a dovetail. Since I weave across the whole of the cloth (not building up sections), each color goes around the “up” warp. Because of the weft going around the same warp thread, there is sometimes a problem with buildup in that area. To counteract that, I may alternate going around the common warp thread and NOT going around it, forming a teeny slit area. Dovetail

I decided to start my experiment with a vertical soumak line at the dovetail join area. In the picture below, the white line indicates the usual dovetail section. The green line shows the vertical soumak line. (You can also see the regular soumak line along the bottom edge of the color sections.) The orange yarn on the right is the tail of my starting spot, then the line, which looks just like a piece of yarn laying on the piece in this picture, then the tail of my working orange yarn. Right away I noticed a problem with doing soumak in this way—I have to remember direction. If you change the direction from which you go around the warp, you will get a wavy vertical line. At this point I don’t care about that, but it might be important later.


This soumak could be fun, so I will experiment with some of the other soumak types while finishing these squares.



3 thoughts on “Soumak

  1. Kathe Todd-Hooker

    Soumack is what is known as handed either right or left. but it is something that is important to remember that you always know which direction you are turning around the warp. The handness can weasily be used as a desiggn elemnt. I have used the idea of reversing the handedness to create wood grains in several of my designs.

  2. Sherri Woodard Coffey

    I plan to deliberately move the line at another spot, but this one was intended to be straight. Not worth taking out, just to remember about direction. Sometimes I have to write this stuff down!


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