As a reward for all the experimenting with food and ikat I’ve been doing, I took myself out on a date to the Kimbell Art Museum, where there’s an exhibition from the Chicago Art Institute. It’s called The Age of Picasso and Matisse: Modern Masters from The Art Institute of Chicago. This exhibit covers a span of time from 1903 almost to World War II. As you can imagine, a great deal of different art categories are included in this span, from Picasso’s blue period to surrealism from Dalí. There were several paintings that stood out for me, but since the collection does not belong to the Kimbell, no pictures allowed. Instead, I have
trees from the courtyard and some links. One of my favorites was Spanish Dancer by Nathalija Gontcharova, although I thought the painting depicted a bride until I saw the title. The lace in this painting is beautiful. Are you ever amazed by how painters can paint with the shadows and lights of something like lace? Reminiscence of a Cathedral by Frantisek Kupka is also interesting. I’m not sure this was the intent of the artist, but to me it looks like a church tower with the stained glass on outside. An offshoot of Cubism, Orphism? I still don’t understand, except for the most part I’m not fond of Cubism. Or Surrealism as depicted by Dalí. But I do enjoy Miró–go figure! Klee’s Dancing Girl (1940) and Sunset (1930). Music was inspiration for many of these painters, but from what I’ve read, not just an appreciation but a knowledge of musical composition–something way beyond my understanding. I’m glad that Klee’s sense of humor was mentioned in the description of Dancing Girl, because she certainly looks exuberant to me. His signature at the bottom was made with a monogrammed handkerchief. Fun! And just because I’ve only mentioned a few pieces of the art doesn’t mean there weren’t others. And the color!