Here is a quote about the workshop:
Up-close examinations of intricate Wari textiles and other luxury goods from ancient Peru will direct our hands-on exploration of color, repetition, and alternation in symbolic patterns. Offered in conjunction with the exhibition Wari: Lords of the Andes. (The highlighting is mine.)
That is exactly what we did. After a brief introduction of the program, the docents led groups of “students” to particular items, with an emphasis on textiles. I wish I could post pictures about the exhibit, but I will have to post links instead and pictures of my book. (I’ll explain why no pictures at a later date.)
What I wish is that everyone could see how fine the tapestries are. The yarns used must be absolutely tiny! And of course, they were spun with a drop spindle. The other observation about the weaving is how the pattern bands line up perfectly, even though they must have been woven at different times and probably by different weavers. I have trouble with that when the weaving must be symmetrical. The colors are still beautiful even though natural dyes such as cochineal are used.
Here is a link to the Kimbell page about the exhibit. At the top of the page there is a slide show of a few of the pieces. Of interest to us fiber people are the two right and left stationary pictures. That brightly colored piece is really quite large in the exhibit, It is woven in about 6 inch squares, then tie-dyed. Yes, tie-dyed! After the dyeing, it is put back together to form the whole. Here is a picture from my catalog.
In order to understand more about the patterns and color repetition, I am going to have to read the catalogue, in which there are drawings to help explain more about the symbols and patterns.