So, you may remember the black and white I was working on, you know, the one with the slits. That was just not fun weaving, and I struggled to drag myself to the loom. Plus, I didn’t like the way the black yarns had turned out. So, I woke up one morning and thought, “This is it. I’m cutting it off!” I felt a huge relief in just thinking those words.
But then I got Kathe Todd-Hooker’s book Line in Tapestry, and got to reading and looking at pictures. You can get the book on Kathe’s website and on Amazon. Kathe’s book has lots of treatments for slits. So, before cutting off, I experimented. One of the first things I read about using slits is if they’re going to be very long, consider turning the weaving the other way. Makes sense. Maybe that works for smaller pieces, but 58 x 30, not so much. This is a vertical design, so that would mean that the visible warp finishing would be where the selvedges usually are after it was hung. I don’t like that much better than slits.
I had also read about using a heavy duty sewing thread every few picks, but I couldn’t find much information about it. Then I looked through one of Carol Russell’s tapestry books and found a picture. It becomes practically invisible within the weaving, and that’s the one I think I like best.
If there are ever any long slits again in my life, that’s the technique I’ll use.
Baby’s got a new box of crayons!
These came from Weaving Southwest, one of their Yarn Bales. Aren’t they beautiful? They are
2-ply tapestry yarns. I think the bales became such a huge project, that they are not planned to happen again.
For the next couple of weeks the dye pots will be working overtime. And there’s an ikat experiment in my future. Stay tuned…