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Yippee!

fish_butterflies Yippee! I’m finally weaving after what seemed like a long hiatus. The fish is still on the loom, but his nose is finished, and I’m weaving back the other way on him now. Fish_with_drawing That means that I’m somewhere in that area above his eye. In the pic on the right, the yellow part on the loom is the lower “fin”, for lack of a better word. Thank goodness I make notes when I start weaving, just to make sure that the start and finish of a piece is the same. Wonder how I learned that! My notes look something like this:

  • knots with warp
  • 2 inches of D Red for hem (I’ve decided that smaller pieces should be hemmed)
  • knots with 2 strands D Red weft (to mark where hem is folded)
  • 1% red for 2 in
  • Pick and pick for 2 in. with green and blue/turq
  • royal blue 2 in for fish background

At this point, I can still see where I started, but the notes are very helpful after those details get wound on the cloth beam.

This and That

We had our guild meeting Saturday—lots of fun. My friend Margaret brought the metal woven basket she bought (the one in the picture from the last post). By the time she got back to Vesna’s booth, both the artist and her husband were ecstatic. The had sold almost everything! I wish I had had the opportunity to get back to their booth myself.

We also had a program by Pat Souder, who is so talented and has so many good ideas. The program was on embellishing the felted bags that folks had done at the previous meeting, but all of her ideas could be used in other applications. One that stayed with me—using pieces from silk flowers. I have lots of handwoven fabrics from my other weaving life that could be sewn into bags and embellished. Hmmm….  But I’d have to find silk flowers in a resale shop.  Pat also makes masks, her true love. Many of them incorporate handwoven fabrics.  Check out the Gallery page of the FWWG to see one of her masks. Be sure and click on it for a larger image.

Today I awoke to thunder. I’m loving the rain we’re getting right now. Not a downpour, just nice, steady rain. It’s lovely to weave in this kind of weather, so after some housecleaning chores, I will do exactly that.  Back to my fish. I hope I can reconstruct what I was doing and where I am on the plan.

More Show Stuff

IMG00051-20090416-1325These are not great pictures (taken with phone, not real camera), but I wanted to share some work by a couple of the artists in attendance at Main Street. I walked right by this booth thinking that I was looking at painted and fired pottery, kind of like Talavera. Well, it’s not that! These are turned wood with the mosaics made of seed beads. The link below takes you to the Main Street page where you can see some more of their work. These pieces are really wonderful!

Marilyn Endres & Eucled Moore

Wire Weaving

Naturally, I always look for weaving anytime I go to an art festival. This picture is also not very good, but try the link to Main Street to see this artist’s work. The picture shown is of what looks like a paper bag that has been folded down. It is made of gold wire, so it also has kind of a burlap-y look to it. Vesna has some wonderful pieces, and I fully intended to go back and buy one, but it really got busy over the weekend. I’m sure I’ll have another opportunity.

Vesna Yankovich

IMG00052-20090417-1533

Post Show Meltdown

Booth2

I’m having a really hard getting going again. I know it’s kind of normal to have a let down after an event, but this is getting ridiculous. Partly, it’s just that I’m really, really tired.

I have a list of things to do differently for next time, the most important being to remember is sunscreen and all the flexibility you can muster. Another thing I learned is that Rubbermaid containers are the way to go. Then things will not have to be placed on a table each night in case of rain. The booth space was a little different than expected. Evidently things were changed this year in a couple of ways. The canopies were a different kind and located in a different area along the street. The new fire marshal wanted booths on both sides of the street rather than in the middle as in years past.

Rain! I hate to ever disparage rain, since we nearly always need rain here. It rained Friday, and opening was postponed for 2 1/2 hours. My feet got wet and cold, and because my thermostat is in my feet, I was cold all day. But once the rain stopped, the crowds came. Boy, did they come! It was great. Lots of interest, nice comments, much talking to folks, and great people-watching. Interesting being on the artist side of a booth as opposed to walking the aisles of a show. Even if folks didn’t stop, it was nice to hear the many positive comments as they walked down the street. Even more people came on Saturday. Watching from my booth area, I felt a little claustrophobic. And there was conflicting music—Cajun on one side and whatever band was playing on the other. I was very lucky to share my booth space with a wonderful sculptor, Chris Hunt and his fiancé Tammy. And I am so lucky to have friends, my sister and brother-in-law who came out to help. Thank you Margaret, Margaret, Amy, Trina, and Paul. Yes, there are two Margarets.

These two pieces went to a happy new home. They are, left to right, Crossroad and Floating in a Deep, Dark Sea.

Crossroad Floating in a Deep, Dark Sea

So, tomorrow, I hope to get some stuff back to normal, get a haircut, and do some errands. Thursday I plan to visit my parents and a friend. And, you know, I may do that weaving thing again. I’ve still got a fish on the loom.

Counting Down

We drove downtown this afternoon after the family festivities, to see exactly where we have to load in and sign in on Wednesday. Being prepared, right? Fort Worth has a new parking garage that is getting lots of buzz because it’s so colorful. While downtown, I realized that I’m going to have to take a walking tour of the whole area to take pictures. Many of the buildings have been refurbished and restored with all their neat architectural features. After reading Jeanne Williamson’s blog, I’m looking at buildings with fresh eyes. In college I took a photography class, one of those 3 week super-intensive classes. Our first  assignment was windows. No other information. I looked at reflections, unusual shapes, broken panes. I still look at windows with an eye for photography. Great assignment!

Tomorrow I will lash the last two rods for hanging. Then I will have to complete the To Do List: clips for blowing rugs, another light for the track, bungee cords, maybe a basket to hold the business cards. I finished the other portfolio book. My guild will need oneProcess for their sale on Saturday in another town. I included a couple of pages about process, one with pictures and the other with text only.

Weaving Appreciation

 
Jennifer said…

I agree one should appreciate the effort it takes to weave! There was an article I saw once that talked about early America where people simply did not have rugs because they could not afford them. Today we only have them because of mass production. We’ve forgotten, this is a new thing for everyone to have one….

I never knew this about rugs, but I do know that we used to live much more frugally and less wastefully. Quilts and rag rugs are just one example of frugality and practicality leading to beauty.  That being said, most people who buy my work won’t put them on the floor even though I make them sturdy enough for that. Most folks end up with “art for the wall,” and I agree that some of the smaller pieces that I make are more appropriate for the wall. But this reminds me of a small studio group to which I belong. We present programs to groups about weaving and fibers. We recently revamped our program to show process, process, process. The audience had great appreciation for handwoven items after our presentation and snapped up the beautiful, hand-dyed, handwoven silk scarves that we had brought into the room. They commented that no wonder handwoven items are expensive.

Bits and Pieces on the Photo Experiment

No matter who does the photography, the first thing I do is to save a copy in tiff, which goes in my Tiffs folder. That way I always have the originals. Then I save a jpeg for print (Print folder) and one for web (Web folder). That way I don’t have to hustle around looking around for photos for whatever project is coming up. Or here already!

Yesterday I used the photos I took for a couple of print items. I can’t tell any difference in using these and the professionally-made prints. I have to admit I don’t have the most discerning eye for this—color is what I concentrate on.

Sizes

In the previous posts I should have put sizes with each piece. So far, I am not happy with the way I’m putting titles with the pictures, much less attempting to get the sizes there also. I will work on that later…after the art festival.

  • Layers-24 x 40.5 inches
  • Yellow Mounds, Badlands-24.5 x 34.5 inches
  • Blues Interrupted-34.5 x 71 inches
  • Winter Stripes-36.5 x 65 inches

I now have 13 pieces completed for the show. I still need to lash rods on 3 pieces. I will take another piece to work on during the show, along with undyed and dyed yarns. I think people need to know how much work goes into weaving, don’t you?

The Last Photo

This is the last of my Great Photo Experiments. I wove the one on the left with a bunch of yarns I had around during the winter, hence the title. I had previously woven a bright, cheerful little number that I called Summer Stripe. Not very creative with titles, but it serves the purpose.

Winter StWinter_Striperipe Summer Stripe Summer Stripe

What I found today on my camera is a red-eye function that flashes then takes the picture. I think that may be the best option for me here at home without benefit of umbrella lights and the knowledge to use them. My photographer sometimes puts a white board at right angles to the piece to get reflective light. His name is David Wharton with a studio in Fort Worth, Texas. He has taken many pictures of work in the local museums. Here’s a link to one of his photos. Scroll down to the ladder picture. By the way, if you didn’t know it, we have great art museums here in Fort Worth. There’s the Kimbell, Amon Carter, and the Modern.

Blues Interrupted

Another experiment with doing my own photography. The good part is that I don’t have to load everything up and carry to Blues_Interruptedtown, so it’s faster. The bad…well, I think my photographer does a better job.  Much more knowledge? Better camera? Actual photography lights? (According to Art Calendar, they can be bought with not too much expense.)

After a visit to the grocery store, I will take one more picture. The other pieces have already had their pictures made. Only lashing rods today.

 

Blues Interrupted

Picture Experiment

I usually go to a photographer for pictures, but with a time crunch, I decided to experiment with my own photography.Layers YellowMoundsBadlands

Layers                     Yellow Mounds, Badlands 

This is a little confusing since each of these pieces is approximately the same size. I think it happened in the “save for web” part, but I’ll worry about that later. Also, I’m okay with the colors on the left, but don’t think they’re very true for the one on the right.  Again, another time…